Colossus by Lightning Bolt works very well in the final cut of Line of Sight, Thanks Benny. We can’t wait to show this to everyone.
Colossus by Lightning Bolt
March 4th, 2012Cheat Death
March 1st, 2012
Taken at Fishguard, UK on the way to CMWC Dublin
Riding off road in HI
February 16th, 2012
In Hawaii filming at the bottom of a volcano – damn I love road bikes off road
Hater and the bike I ride in on
January 26th, 2012—–Original Message—–
From: xxxx
Sent: Thursday, January 7, 2012 21:09
To: Lucas Brunelle
Subject: your article in bicycling magazine
Mr. Brunelle, thank you for making the rest of us look bad and being a completely reckless and selfish asshole. It’s fucks like YOU who ruin cycling for everyone else. If I see you on the street I’ll put you in the gutter. Your people fucked up our city with your little “race” as you call it which you and the organizers should be arrested for. You’ve unilaterally offended all other cyclists and motorists alike. Fuck bike advocacy well FUCK YOU and the bike you ride in on!
Sincerely, xxxx
Kevin Porter and I on Channel 5 Boston’s Chronicle
January 21st, 2012Underwater Case
January 16th, 2012
Underwater case – so I can film in heavy rain – at night – in a foreign country – with fast racers
Total Focus = Film Done
November 8th, 2011
Editing 14 hours per day
I want Line of Sight to be an experience for all of you.
Working around the clock Benny looks to have our film done so we can announce our premiere – finally.
Filming Line of Sight – Near Final Cut
February 18th, 2011
Filming on a rainy Saturday at 7am
Making the film Line of Sight has been amazing, exasperating, and endless – but we are almost done.
The film encompasses the last ten years of unscripted alleycat and travel footage. I am honored to have Benny Zenga as my director. In the last year Benny has interviewed many friends and family and travelled with me to Guatemala where we documented the CMWC and other insane bike action. Many different shooting formats are used including 16mm, P2, and HDV. We are in the final stages of editing. This is where we fine tune film so that it takes you places you’ve never been before.